Gulf Coast Online Exclusives


Chicxulub Köçekçe / Pioneer Species

Kenan Ince

Like those jellyfish that swell with future oxygen, / I live into my gender, balloon constantly rising


Poetry, Fiction, & Nonfiction   

The Traveling Coconut

Tashima Thomas

The spindly stalks creep out from the nexus of the composition like arachnid extremities. The pronounced compression of space pushes the roughly hewn roots into the forefront for the beholder’s contemplation. The sharp points and scraggly edges of the root system prevent easy entrance into the scene. Oller creates a kind of coconut Noli me tangere: we may look, but not touch.

Bright Perfection

Nancy Au

The chicken crows at midnight. Crows at four o’clock in the morning. Crows when it rains. Crows when the sun sets. Crows when sirens blare down our street. Only stops crowing to eat.

The Traveling Coconut

Tashima Thomas

The spindly stalks creep out from the nexus of the composition like arachnid extremities. The pronounced compression of space pushes the roughly hewn roots into the forefront for the beholder’s contemplation. The sharp points and scraggly edges of the root system prevent easy entrance into the scene. Oller creates a kind of coconut Noli me tangere: we may look, but not touch.

intimate structures: Dorothea Rockburne at Dia:Beacon

Chloe Wyma

At once hermetic and worldly, ethereal and dense, this tightly focused exhibition reflects in its contradictions the difficulties and pleasures of Rockburne’s early career, which spanned from the late 1960s to the early ’70s.

From the Archives

Moriah

Paige Cooper

In 1828 certain men of this village climbed to the peak of Mount Isaac to eat the yolk of the great roc's egg. Yet the savage bird came upon them...

Casanova

Serhiy Zhadan transl. by Alan Zhukovski

When you greeted each other / your palms / like embers in cigarette stubs / red and hot / showed from your sleeves

The Pirate Story

Tom Macher

I learned to sleep as light as a new mother, in increments of minutes rather than hours, listening as I dreamed for a rustling of clothing, a knife unsheathed, and then I stopped sleeping altogether.

May This Story Have Several Facets: An Interview with Moshe Sakal

B.J. Love

By recreating the past, I do not mean going back in a sentimental nostalgic way, but by rebellion and opposition to a world in which we see more and more borders, and walls.

From the Blog

D.A. Powell on "The Mad Place" of Poetry

"You can use language and be absolutely true to what you’re saying, and at the same time people have an opportunity to misread it as something scintillating…

Engaging the Mystery: The Anagogic Poetry of Lucie Brock-Broido

Last March, Lucie Brock-Broido died at the age of 61. She left behind four collections, and the work within was characterized as “spooky,” “haunted,” or…