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Girl as Tautology

Jessica Hincapie

When I need my mother most I climb inside my mouth turn left at my incisor teeth turn right at the ghosts of both my grandfathers and find her dancing under the chandelier of my uvula.


Poetry, Fiction, & Nonfiction   

Wheels and Bushings

Maureen Langloss

It was six o'clock in the morning when I started collecting clocks, and now it's 9:37. 10:37. I mean it's 10:00cm. These clocks are all wrong. Time is spilling out of them and getting everything. . . getting everything. . . that word when the clothes are on the floor and crumbs are in your bed and you've spilled wine and yelled at George.

Ghost Fire

Doug Ramspeck

The old men are unsure. Something is twisting up and up to become a stair. And what is the end for? Who would stop here and dream such accumulations? Once…

[SPRING: MOSAIC::]

J.P. Grasser

Touch them, the tesserae, the shards of floating glass, which skim the rain-full gutter. Not dead: us/them—mere stutters, gluttons for new skin. Life, peel back your veil. Now, see? See it again: To be dead another time is a deciduous explosion.

Girl as Tautology

Jessica Hincapie

When I need my mother most I climb inside my mouth turn left at my incisor teeth turn right at the ghosts of both my grandfathers and find her dancing under the chandelier of my uvula.

From the Archives

Tinderbatrachus

Mirri Glasson-Darling

We think that Tinder is just for fun, swiping like in a videogame, like the 1980s game Frogger where the frog hops across the freeway and tries to avoid getting flattened by cars—this is how we feel about dating.

Strawberry Girl: A Prose Sestina

María Isabel Alvarez

Your husband watches like a phantom through the window, his face silvered in smoke. His eyes, once brimming with affection, have slanted into whispers. You want his puckered face to catch a clod of dirt.

Judith Gap

Claire Luchette

Here is something we have learned time and again: you need not love everything. You do not have to devote yourself to what you thought you’d enjoy. You can decide, whenever you like, that what you feel is no kind of love.

Stag, Emblem, Anthem

Joni Wallace

...someone’s / white Dodge pickup blinkering down / the mountain, on the windshield / needle-likes, double columns, pentameters, / Bentley’s iconographic crystals / playing into zero visibility.

From the Blog

Dora Malech makes her entrance into experimental poetry

To “stet” is the act of making a textual change and then changing it back and so on and so forth. In the spirit of “stetting,” Stet also acts as…

You Are Here: An Interview with Eduardo Portillo

“When I built my first stretcher, it was like finding a big surprise. It let me reinforce what I had been doing with painting, which was playing around…