Gulf Coast Online Exclusives


Communicating with Your Dead: An Interview with Sam Roxas-Chua

David Nilsen

"I've always been interested in the invisible poem. When a poem is finished, what is the undercurrent? What is it still trying to say?"


Poetry, Fiction, & Nonfiction   

Playing in the Institute: on Tag at ICA Philadelphia

C. Klockner

It’s still a question of how queer exhibitions can function within certain institutions without assimilating, without petrifying living works in order to propose additions to “the” hegemonic canon, but Tag proposes ways forward that walk indeterminacy with confidence.

Letter from Athens, GA

Maggie Colvett

So much goes on without it baffles every time I begin. I read, I go walking. I take long routes past the elementary school, the fidgety, nebulous line at the crosswalk and the swingsets quaking and singing.

The Pirate Story

Tom Macher

I learned to sleep as light as a new mother, in increments of minutes rather than hours, listening as I dreamed for a rustling of clothing, a knife unsheathed, and then I stopped sleeping altogether.

Canto II: A Translation

Brian Diamond

Hang it all Yankev Glatshteyn! / There can be but the one Fairfax / but Fairfax and my Fairfax— / Impulsn fun gedank / blitskike un rashik...

From the Archives

Hospitality

Elizabeth Whittlesey

All day I have been sitting around / waiting to be thin. / There was a time I was more or less pure. / I still am...

intimate structures: Dorothea Rockburne at Dia:Beacon

Chloe Wyma

At once hermetic and worldly, ethereal and dense, this tightly focused exhibition reflects in its contradictions the difficulties and pleasures of Rockburne’s early career, which spanned from the late 1960s to the early ’70s.

Seasonal Without Spring: Summer

Andrés Cerpa

Was that season artery or vein? when the days stretched like Broadway, & the nights undid our shirts – the temperature so slight you could raise your arms in flight & feel nothing, the body as air. But there was also the need for hurt. And dusk: a ghost of a boy tempted to feel his weight, to put his palm to the depth, touch the pupil, the dead turbine of god’s one good cataracted eye.

House on Toluca

Jesus De La Torre

Bars or no bars, if you did have something worth having, they’d take it, whether you were ridiculous about home security or not.

From the Blog

Engaging the Mystery: The Anagogic Poetry of Lucie Brock-Broido

Last March, Lucie Brock-Broido died at the age of 61. She left behind four collections, and the work within was characterized as “spooky,” “haunted,” or…

Dora Malech makes her entrance into experimental poetry

To “stet” is the act of making a textual change and then changing it back and so on and so forth. In the spirit of “stetting,” Stet also acts as…