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The Evangelist

Samuel Kolawole

He never finished a performance without making a prediction. His predictions, if right, would immediately boost his prestige and reverence so much so that when he passed his offering bowl around afterwards people would be more than willing to part with their hard-earned cash.


Poetry, Fiction, & Nonfiction   

Magic City Ruse

Ariel Francisco

Miami Beach burns with the insatiable / ego of a galaxy, bright enough to refuse / admittance to any stars in the night sky.

Spread

Caitlyn GD

The morning of Claire's funeral, I lie naked on the table and wait for her mourners to arrive. Thomas scrapes a knife against whetstone in the kitchen. When he appears above me, the blade glints harsh in his hand. It's all I can see. To minimize the pain, he explains with a paternal smile. I smile too.

Low-End Theory

Kendra DeColo

Love, I’m a musky vermouth, palm of discount / stars, instruction manual for low-end vibrators / which is to say, my frequencies have slowed / down to the flutter of a junebug’s libido

Strawberry Girl: A Prose Sestina

María Isabel Alvarez

Your husband watches like a phantom through the window, his face silvered in smoke. His eyes, once brimming with affection, have slanted into whispers. You want his puckered face to catch a clod of dirt.

From the Archives

Ghost Fire

Doug Ramspeck

The old men are unsure. Something is twisting up and up to become a stair. And what is the end for? Who would stop here and dream such accumulations? Once…

Lachrymatory

Geoffrey Nutter

Silent gray boulders are lapped at / by waves. What’s that / in the mud where the tide is going out? / Buttons; bottle caps; small bits / of styrofoam that look like shells or coral…

The End of Something Terrible

Lily Hoang

The snow was a wildcat that night, unpredictable and bright. You sat in the passenger seat, one hand screwed to the handle for safety. You should have been driving, but you called yourself a feminist.

Artificial Flower Garden

Sara McGuirk

excuse me this chambray tie / this cummerbund, these plain chops, / these dull lips. I’ve no guilt for gild's sake.

From the Blog

A Microinterview with Dorianne Laux

I think of poetry as musical language, close to every day speech but of a higher order, with a system of notation.

Experiments with White Heat

That exalted moment when, out of nowhere, you are obliterated—completely, blissfully destroyed—by a voluptuous euphoria. A lightning flash of inspiration.…